My Walk to Equality: Essays, Stories and Poetry- Papua New Guinean Women Write

📍 Papua New Guinea 🇵🇬

May is celebrated as the Pacific Islander Heritage Month and my pick this year was from Papua New Guinea (PNG). The book is an anthology of essays, poems and stories, written exclusively by Papua New Guinean women. There are more than 80 contributions from 40 writers, and the majority are in their 30s. For the uninitiated, PNG is a country located in Southwestern Pacific Ocean, occupying half of the island of New Guinea (the western half belongs to Indonesia). The country gained independence from Australia on September 16, 1975. It is one of the most rural countries and comprises of over 800 tribes. It’s also the most linguistically diverse country in the world, and about 839 languages are spoken in PNG. It also has the dubious distinction of having one of the highest rates of violence against women in the world. This book, therefore, captues the ongoing struggles of women who are trying to achieve a semblance of equality in a particularly patriarchal society.

The book has been divided into sections; Relationships, Self Awareness and Challenging gender roles and breaking glass ceilings. However, the overarching theme throughout is the demand for women’s rights and equality, the necessity to disband the deep rooted misogyny and the call for action against sexual and domestic violence. The writers boldly dissect the prevailing patriarchal culture in which young women are being brought up and how men are groomed to be sexist and gynophobic. The society at large is perverse to women being educated and taking up spaces in public and private sectors. Working women are often scorned at, receive no help at home and face uphill battles navigating professional environments. These courageous women writers, many of whom are teachers and working professionals, have urged PNG women to fight for their education and never to dismiss any opportunity that could guarantee financial independence, which can then pave the way for the upliftment of their collective consciousness and thus inspire future generations.

Rashmii Amoah Bell, who has edited this book, is a Papua New Guinean writer and editor renowned for her contributions to amplifying women’s voices in her country. From this book, a few writings stood out to me for their poignancy and simplicity yet relaying the angst, anguish and resilience. The Expectation of Marriage by Watna Mori explores how colonial past and intergenerational traumas shape the reality of PNG women; how the entirety of a woman in PNG has been reduced to her marital status and the writer wonders what happens to women who consciously decide to live outside this boxed existence. Betty Lovai writes in her essay, Papua New Guinean women in Leadership, the harsh truths about securing leadership roles as a woman in PNG and the governmental and societal inertia in bringing about any positive impact. In the story, On the hunt for a New Language in Papua New Guinea, Samantha Kusari, makes a case for languages that are dying across the country. In the search for a tokples (dialect), the writer gets introduced to another rare dialect, Akadou, and hence realises the rich legacy of a language that now has only three living people speaking it. In Walk to Equality in Education, Roslyn Tony, laments about the insurmountable hardships met by teachers and women principals in the field of education. Caroline Evari’s poem, Who are you to tell me it’s wrong, explores the possibility of an egalitarian household in PNG. The brilliant essay, The Inappropriate Cultural Appropriation of the Bilum by Elvina Ogil, articulates the perils of the harmful practice of such a cultural theft. She provides the nuances that make us ponder the consequences of a heritage hijack, that which can undermine and undervalue an entire civilisation. Tanya Zeriga-Alone, in her thought provoking essay, Which way Papua New Guinea? Look in the Mirror; presents an insider’s perspective on the current situation in the country and says, that the only way PNG can move forward towards ensuring equality and equity, is by disregarding mediocrity, respecting fellow citizens and local talents, and understanding the collective resilience shared by all the tribes of PNG

Having read this book, I wonder if the conditions for Indian women are any different; rather how eerily similar are Indian and PNG women’s struggles. On the surface of it, we may seem to be a society where women have rights, but certainly there’s no equality yet. If you scratch this surface, you will notice uncomfortable truths and predatory practices of misogyny, chauvinism, sexism and violence deeply rooted and being disguised as appropriated and misplaced feminism. We may be into our 79th year of independence and the fastest growing economy in the world, but none of that or the current ubiquitous vermilion can hide the fact, that women in our country are unsafe, undervalued, excluded, oppressed (especially Dalit and tribal women) and marginalised. 

~ JUST A GAY BOY. 🧐

The Lion Women of Tehran

📍 Iran 🇮🇷 

It’s Tehran in the 1950s. Progressive and on the brink of change. Ellie, living an affluent life, is now forced to move to a poorer neighbourhood with her cantankerous mother after her father’s untimely death. Seven year old Ellie is happy to be in her new surroundings and keeps yearning for a good friend. Enter Homa, who with her free spirited and rambunctious personality soon becomes best friends with her. Together they dare to dream and don’t shy away from being ambitious whilst breaking some harmless rules along the way. Ellie’s mother despises Homa and remains condescending towards their friendship. She remarries so that they can return to their moneyed ways, marking an end to Ellie and Homa’s relationship. Years pass by, and Ellie is now one of the most popular girls of her posh school. Homa secures admission to the same school, and while she is ecstatic to reunite with Ellie; Ellie doesn’t feel the same. Ellie’s hesitation and snobbery don’t stand a chance to Homa’s infectious enthusiasm and simplicity. Soon they are back to being friends which again irks Ellie’s mother. Homa is determined to be a lawyer so that she can bring about reforms in women’s rights in Iran. She also remains committed to political activism. She constantly eggs Ellie to pursue her education. Ellie on the other hand is besotted with Mehrdad and wants to be married. Despite this clash of values and interests, they forge their friendship until one unfortunate misunderstanding that leads to a catastrophic incident upending their lives forever. 

My favourite Iranian author, Marjan Kamali, is back with her third and latest book, The Lion Women of Tehran, and this one is a stark departure from her previous works. Women are the front and center of this narrative. Marjan has put female friendship as the protagonist of this book and has charted its course through trials and tribulations, financial disparities and long distance. 

Marjan has written a story about feminism and everything it encompasses. Through Homa, she has portrayed the quintessential activist woman who is striving to make the world a better place for other women. Homa embodies fortitude, tenacity and resilience. Through Ellie, the author has made us broaden the scope of feminism and makes a case for women who willingly choose to be a homemaker. These are the women who are omnipresent in all our lives and yet easily forgotten by the feminist movement. However, Ellie’s character brings this subtlety and nuance to the conversation. Though debatable and dubious, Ellie’s mother is fierce in her own way taking ownership for her choices and actions, and yet standing tall. 

As with her previous books, Marjan has left no stone unturned in describing Iran’s political landscape and its innate turmoil and turbulence alongside Ellie and Homa’s story. She guides us through all the major political upheavals that have changed Iran’s society and the consciousness at large. The horrific killing of Mahsa Amini and the riots that have followed since for women’s liberation in Iran also find a commendable mention in the book. 

The book is purely Persian in its essence and celebrates all the ‘shir zan’ (lion women) of Iran. Persian culture has been brought to life in Marjan’s writing. The book is suffused with Persian cooking and the aromas literally waft through the pages. Food just doesn’t feature here for celebration but also denotes a revolution. Farsi words and sentences find considerable mention in the book. It’s such a joy to read it and to find similarities between Farsi and Hindi/ Urdu. 

Marjan Kamali writes so evocatively about love, friendship and Iran. She also challenges patriarchy and chauvinism fearlessly. The book is so achingly beautiful; it’s compassionate and passionate in the same breath and with every word.

~ JUST A GAY BOY. 😇