All the Little Bird-Hearts

(Slight spoilers ahead)

Longlisted for The Booker Prize 2023, this phenomenal book, is a heartfelt, yet emotionally brutal look at love that’s lost in relationships. Sunday, the principal protagonist, lives with her teenage daughter Dolly, in a modest house on a quiet street and living an orderly life. Sunday is neurodivergent and makes no bones about having difficulty in negotiating and understanding the simplest neurotypical situations. Hence, she finds it necessary to stick to a routine, even if it means eating only white food and relying heavily on an etiquette book. Her life seems to get upended when a glamorous couple move next doors. Vita, is a larger than life character, who uses her charm, wit and captivating personality to mesmerise Sunday and Dolly; while her husband Rollo, is calm and collected, having a suave impressionable style. In no time, they are in and out of each other’s house, having regular dinners and brunches. Dolly is so taken by Vita’s magnetism, that she starts spending more and more time at Vita and Rollo’s place; soon taking her clothes there, starting to work for them in their construction business and even having her own room in their house. Sunday begins to wonder at this rapid rate of detachment of Dolly from her and starts questioning Vita’s real intentions behind the same. These, of course, aren’t met with favourable outcomes and Sunday is left abandoned by everyone.

The book is an open canvas of Sunday’s mind. The author gives us a detailed and unfiltered blueprint of her thoughts and triggers. The first half of the book may seem a tad slow and repetitive, simply because the author is making us accustomed to Sunday’s neurodivergence, her vulnerability, her ways of tackling everyday conversations and interactions, and her perplexities in understanding others’ ease in navigating the same. Sunday is a fierce character who owns her neurodivergence in spite of the negativity and deliberate ambiguity that others display around her. The author also gives us an insight into her childhood traumas, her highly volatile relationship with her mother and her incongruous marriage. The disintegration of Sunday and Dolly’s relationship is heartbreaking, so is Dolly’s disregard and contempt of her mother for a more attractive Vita. Despite this anguish, Sunday exhibits steely grit and acceptance of her agony, and also of her daughter’s estrangement.

The author, Viktoria Lloyd-Barlow, is autistic and through this book has given a voice that’s authentic to so many other autistic people who are underrepresented and often misrepresented too. It’s a searing yet poignant rendition on motherhood, flawed relationships, and unequal societal dynamics. As you read the book, you understand the fact, that the author isn’t wanting our sympathy, rather wants us to check in with our prejudices and privileges. Such a stellar debut!

~ JUST A GAY BOY. 🫶

Pyre

Perumal Murugan is an author, scholar and literary chronicler who writes in Tamizh. He has written ten novels; five of them have been translated into English. As a professor of Tamizh literature, he has made several contributions to research and academic study of Tamizh literature specific to Konganadu region. He courted controversy with his book Madhorubhagan which made him announce, ‘Perumal Murugan the writer is dead’. His novel Pookuzzhi (Pyre) was originally published in Tamizh in 2013 and translated into English by Aniruddhan Vasudevan in 2016. It has now been longlisted for The International Booker Prize 2023.

Pyre is a heart wrenching story of an intercaste couple, Saroja and Kumaresan. Saroja elopes and marries Kumaresan, who then brings her to his remote, arid and decrepit village of Kattuppatti, in the hinterland of Tamil Nadu. Upon arrival, the couple are welcomed with abuses, mourning and threats. Saroja becomes their easy target, and is showered with expletives and profanities, especially from the womenfolk, and Marayi, her mother-in-law. Each passing day becomes a living hell as the villagers become hell bent on knowing Saroja’s caste. As the story progresses, there seems to be no sympathy or changed behaviour by the villagers towards the couple, who believe that this marriage is an impending doom, and start plotting a heinous crime against them. The couple though, remain in love, crave love yet have no idea that the same love is a harbinger of hatred and enmity.

Pyre is a grim telling of the realities of caste differences and discriminations present in our society. Through this lens, Murugan tells a riveting tale of the people who put caste on a pedestal. He centres caste as the unrelenting, unforgiving protagonist in the book. You may despise its presence, still remain helpless, just like Saroja and Kumaresan. The internalised misogyny that Marayi spews onto Saroja, is a depiction of the ways in which caste and such other forms of bigotry manoeuvre, such that those who are oppressed become the oppressors.

The harsh landscapes and terrains of Kongunadu form an integral part of this story. The barrenness of the land which the author describes evocatively becomes deafening through the narrative. The villagers’ reverence to caste whilst ignoring its beguiling notoriety to cause persecution remains a passive subtext all through. Perumal has fleshed out his characters; be it a listless yet restive Saroja, a pensive yet petulant Kumaresan or a scornful and savage Marayi. Aniruddhan Vasudevan’s translation of Perumal’s crude and caustic prose is unparalleled. He has managed to imbibe the nuances of the original language during the tender moments in the book as well as during the diatribe. Being a Tamizh speaker myself, I appreciate and applaud the sensitivity and restraint in Aniruddhan’s translation.

Pyre is a disturbing read. Perumal Murugan writes to unnerve you, to push you out of your bubble, to give your prejudices and preordained thoughts a 360 degree spin. He makes us, the reader, a mute spectator to the atrocities as they unfold. But isn’t that true in real life too? Aren’t we/ haven’t we become mute spectators to all kinds of caste, gender, religion, social status based atrocities? Aren’t we/ haven’t we become complicit in this despotism?

~ JUST A GAY BOY. 😓